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We have a range of residences to suit your needs and budget. Find out more on our accommodation pages. In each year of the Programme, you will take Modules to the value of 60 credits. The programme is offered in part-time mode over six academic years. You must pass each academic year before proceeding to the next stage of your studies.

The classification of your degree is based on the grades you achieve in the Modules that you take in years three to six. The final modules will be published by September Year one and year two are foundation years, designed to equip you with the skills and practice for advanced study and to give you an overview that will enable you to make informed choices from the modules available in years three to six while laying down the foundations of your engagement with Creative Writing.

You will take three compulsory credit modules in year one. These will provide you with a solid base for the next five years of your degree by offering the opportunity to develop your critical and creative skills through reading, analysing and producing imaginative work across a wide array of different genres.

Download Romantic Verse Narrative: The History of a Genre (European Studies in English Literature)

In year two, you will take three modules amounting to 60 credits, choosing from the range of options available. In year three you will take two modules in Creative Writing, continuing your studies within a variety of forms and genres, including fiction, poetry and scriptwriting.

You will also select from a range of period-, genre- or theme-based modules in English Literature, building on the foundation year, reading a selection of texts in their historical and cultural contexts. In year four you will take modules amounting to 60 credits, choosing from the range of options available.

In years five and six you will choose from a range of more specialised modules, allowing you to pursue interests developed in the previous four years. You will engage with current issues in research and scholarship, enabling you further to develop analytical and presentation skills that employers will value, as well as equipping you for postgraduate study. In either year five or year six you will also undertake a portfolio dissertation in Creative Writing that complements your work in the English Literature modules and allows you to produce an extended piece of writing in a specialist genre.

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The dissertation also allows you to develop research and project management skills. In year six you will take modules amounting to 60 credits. This may include the compulsory credit Creative Writing portfolio dissertation, if you did not choose to take it in year five. As in year five, the range of optional modules will allow you to pursue interests developed in the previous five years.

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You will be taught through a combination of lectures and seminars, with all modules including seminar or small-group teaching. In Creative Writing the small-group teaching takes the form of workshops based on peer review of student writing. Teaching stresses the importance of the way texts interact with their contexts, and each module is designed to encourage you to focus on a number of specific texts and to prepare carefully a considered answer to specific topics dealt with in the module, while the workshops in Creative Writing ask you to engage with the critical creative process through evaluative discussion of peer writing.

You are expected to do the reading and other relevant preparation to enable you to participate fully in these activities. You are encouraged to explore the resources of the library as appropriate. For the workshops, peer work is previously circulated and you are expected to bring prepared comments as part of the exchange of ideas informing the sessions.

There is a form to fill in before each Academic Progress meeting which is designed to help you reflect on the written feedback and the reasons for the marks you have received from the previous round of assessment. You will discuss this feedback and your reflections on it with your personal tutor. In addition, all staff have weekly office hours during teaching weeks and you may make appointments to see your personal tutor or module leaders on a one-to-one basis about any issues.


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Staff may also be contacted by email. Key information for each module will be available on our Virtual Learning Environment, Learning Central, together with appropriate additional learning resources, such as lecture notes and slides. The University offers a range of services including the Careers Service, the Counselling Service, the Disability and Dyslexia Service, the Student Support Service, and excellent libraries and resource centres.

Written feedback is provided on both formative and summative assessment and you are encouraged to discuss your ideas with module tutors in seminars and, where appropriate, on a one-to-one basis in office hours. Your achievement and progress are also discussed in regular progress meetings with personal tutors. All English Literature modules offer you the opportunity to undertake unassessed formative work appropriate to the module. Creative Writing modules are assessed by short portfolios of creative work that include a critical commentary. Your final year project consists of a substantial, independently-researched and original portfolio of creative work, produced under the guidance of a member of staff, in the field of fiction, creative non-fiction, poetry, playwriting, or screenwriting.

The portfolio includes a critical commentary on the work produced. Our graduates commonly go on to pursue careers in freelance writing, academia, teaching, publishing, arts management and administration, public relations and journalism. Many employers welcome graduates with high-level literacy skills. Together with such skills, our students develop the kind of insights into the creative process that are valued by business, from design to sales.

Imaginative writing transfers readily into advertising and tourism as well as advertising companies. As a graduate of our School you will have a portfolio of creative writing to demonstrate to potential employers. Our graduates transfer readily into HR, the book trade, professional areas such as librarianship but also local government and other areas of public life concerned with communication. Related searches: English literature , Creative writing , English. Academic life at Cardiff University is challenging, innovative and rewarding.

Our students learn from leading researchers and teachers who are driven by creativity and curiosity. Order or download. Skip to content. Search Search. Home Study Undergraduate Courses.

Romanticism & English Literature

Course overview Our BA English Literature and Creative Writing programme allows you to study all periods of literature in English, from the Anglo-Saxon period to the twenty-first century, together with training in Creative Writing. Distinctive features Emphasis on combining the critical study of literary texts with the practice of writing creatively.

The ability to tailor module options towards your own creative interests.

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MA guest reader performances that are an established part of the creative-critical environment in the School. The opportunity to participate in a lively and thriving literary community and learn from a wide array of practitioners of contemporary literature. Intake 23 September 28 September Typical applications received The School of English, Communication and Philosophy typically receives applications for full-time and part-time study. Typical Welsh Baccalaureate offer.

English Literature and Creative Writing (BA) Part time

Both Wordsworth and Coleridge benefited from the advent in of the Regency, which brought a renewed interest in the arts. Biographia Literaria , an account of his own development, combined philosophy and literary criticism in a new way and made an enduring and important contribution to literary theory. His later religious writings made a considerable impact on Victorian readers. Sir Walter Scott , by contrast, was thought of as a major poet for his vigorous and evocative verse narratives The Lay of the Last Minstrel and Marmion Other verse writers were also highly esteemed.

Another admired poet of the day was Thomas Moore , whose Irish Melodies began to appear in His highly coloured narrative Lalla Rookh : An Oriental Romance and his satirical poetry were also immensely popular. Charlotte Smith was not the only significant woman poet in this period. George Crabbe wrote poetry of another kind: his sensibility, his values, much of his diction, and his heroic couplet verse form belong to the 18th century.

He differs from the earlier Augustans, however, in his subject matter, concentrating on realistic, unsentimental accounts of the life of the poor and the middle classes. He shows considerable narrative gifts in his collections of verse tales in which he anticipates many short-story techniques and great powers of description. His antipastoral The Village appeared in After a long silence, he returned to poetry with The Parish Register , The Borough , Tales in Verse , and Tales of the Hall , which gained him great popularity in the early 19th century.

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Seller Inventory n. Hermann Fischer. Publisher: Cambridge University Press , This specific ISBN edition is currently not available. View all copies of this ISBN edition:. Synopsis About this title Hermann Fischer's lively and original study of Romantic verse narrative traces the origins and development of this poetic form in the late eighteenth and early nineteenth centuries.